• Carl Leafstedt is a music historian who teaches general music history courses, a First Year Seminar on 音乐与政治, and special topics courses on Tchaikovsky, 舒伯特, 交响乐的文学, 和20世纪的歌剧.  苏城本地人, 爱荷华州, he was a chemistry/music double major in his undergraduate years at Williams College, 然后又获得了博士学位.D. in music history from Harvard University.  He has taught at Southwestern University, The University of North Carolina at Greensboro, 和杜克大学.  He's been on the faculty at 澳门金沙线上赌博官网 since 2001.  He was Chair of the 音乐 Department from 2006-12.

    For 澳门金沙线上赌博官网 he also Co-Chairs the Arts, Letters, and Enterprise program. He takes a lively interest in helping 澳门金沙线上赌博官网 students pursue careers in music history or arts management. 

    • Ph.D. 哈佛大学音乐系 
    • B.A. in 音乐 and Chemistry, Williams College
    • “圣安东尼奥."  In The New Grove Dictionary of American 音乐，修订版.  New York: Oxford University Press, 2012. 
    • Bartók在舞台上."  Program book essay for the Philharmonia Orchestra of London's 2011 festival, Infernal Dance: Inside the World of Béla Bartók. 
    • 《澳门金沙赌城线上游戏》，op. 11." Published in the annual program book of the Barcelona Opera, Temporada d 'opera, 2007-8, pp. 60-64. Barcelona, Spain: Amics del Liceu, 2007. Published simultaneously in Catalan and English.
    • "Asheville, Winter of 1943-44: Bela Bartók and North Carolina." 音乐季刊 87/2(2004年夏季):219-58.
    • 《灵魂的七扇门." Program essay for the Royal Opera House's performances of Bartók's opera 蓝胡子公爵城堡 在伦敦的考文特花园. 2002年3月.  Reprinted for Spring 2006 season.
    • "The Stage Works: A Portrait of Loneliness." In The Cambridge Companion to Bartók, edited by Amanda Bayley, 62-77. Cambridge: Cambridge University Press (UK), 2001.
    • "Pelléas Revealed: The Original Ending of Bluebeard's Castle." In巴托克的视角, edited by Elliott Antokoletz, Victoria Fischer, and Benjamin Suchoff, 226-44. New York: Oxford University Press, 2000.
    • Inside Bluebeard's Castle: 音乐 and Drama in Bela Bartók's Opera. New York and London: Oxford University Press, 1999. 平装版2003.

    His research interests center on music of the 20th century, with emphasis on the music of Béla Bartók.  He is currently working on a book on Bartók's years in America, as well as editing the unpublished autobiography of composer Ernst Bacon, whose Emily Dickinson songs are much beloved by singers.  他那本关于Bartók歌剧的书 蓝胡子公爵城堡, published by Oxford University Press, earned sufficient attention from the opera world to warrant re-publication in paperback form.  From 2005-7 he served as President of the Southwest Chapter of the American 音乐ological Society.  He has also been a member of the AMS Council.  A member of the Society for American 音乐, in 2008 he served as Chair of the Local Arrangements Committee for the Society's annual conference, 那一年在圣安东尼奥举行. 

    澳门金沙线上赌博官网's location in South Texas has broadened his interests to include much of the popular music of the area.  He recently wrote the subject article on “圣安东尼奥" for the New Grove Dictionary of American 音乐 (2012).  He is founding coordinator of 圣澳门金沙赌城线上游戏's Legends of Texas Border 音乐 series, a project that pairs guest scholars with prominent musicians who have spent their careers making music in the culturally rich region of South Texas.

    • 音乐 History, Ancient Greece to the present 
    • 二十世纪歌剧 
    • 音乐与政治 
    • 室内乐
    • He has served on boards of directors for the 圣安东尼奥 室内乐 Society, 圣安东尼奥交响乐团, and the 圣安东尼奥 Chamber Choir. He is currently on the board of directors for YOSA, the Youth Orchestras of 圣安东尼奥, and the executive board for the Alamo Area Council of the Boy Scouts of America. 
    • 法衣员，圣. Mark's Episcopal Church, 2013-15
    • With his wife Ann he served as Co-President of the South Texas chapter of the Williams College 校友 Association, 2001-7.